ACRYLIC

The drawings found on this page were created using acrylic paint. These paintings date from the years 2010 to present.

Page 23-“Walk like a G” from the book “Joshua and the Mungoes”. Acrylic on Paper – Circa 2013

Acrylic on canvas 2012/2019

the gentleman and the devil court the lady of aru
azazel
mostashon
earth mother
mister perro star
fiery god on symbolic flesh
conspiracy theorem” ground cipher
conspiracy theorem: fukushima cartoonified
conspiracy theorem: fukishama’s haarp discord
reina gaol with lady and child
bringing idle offerings as above
mister in
junior and a heart part 1
junior and a heart part 2
ella la merkabita
fleshified merkaba fleshified
duli
ovotrix ojo
conspiracy theorem: petrus romanus
deconstructed incan
a relic in deconstructed tessellation or selfie 916
“LA in MT (RTDeer RIGHT)
LA in MT (RTDeer LEFT)
St. anthony tossed about in montana
scene 53 act 7
selfie #36
selfie #537
“Windwalk Like a Word Spoken
DNA – Acrylic on wood panel – Approx 10″ x 36″
A vertical acrylic painting on canvas with a narrow, banner-like format. At the top, large yellow Chinese characters spell “rainbow” (彩虹), overlaid on a realistically rendered rainbow trout. Below, stylized pink Devanagari script reads “जीशु” (Jesus). Near the bottom, a vintage-style cartoon character with a white scarf walks on water, glancing upward. Below the character, small text reads “What do I do?” The background is a deep blue, speckled with white dots that resemble bubbles or stars. The composition layers visual and textual elements to suggest the phrase “Rainbow Jesus.”

“rainbow jesus” what do i do? – acrylic on canvas painted in montana during the summer of 2013

CONSTRUCTS – Acrylic on wood slats, screws, wood glue – 2005/2008

A surreal acrylic painting on distressed, screwed-in wooden panels. The central figure is a grotesque humanoid with a papal mitre and a saintly halo, but its body morphs into bird-like legs and a blue serpent-like tail. Blood spatters and red accents highlight areas around the head and mitre. The background is a chaotic mix of dark forest green and stormy blue, with abstract forms and shadows. The wood's texture and screws are visible, contributing to the raw, deconstructed aesthetic. A stylized red and white signature or symbol appears at the bottom right.
A vivid acrylic painting on irregularly cut wood panels arranged vertically. The central focus is a surreal, red-toned organic mass resembling a brain or flower, with a single large, blue eye at its center. Radiating golden lines connect segments of the form, suggesting neural or energetic pathways. A subtle human face emerges beneath the eye, smiling enigmatically. The background contrasts with cool blues and purples, featuring abstract shapes and ghostly faces. The composition blends elements of psychedelic, anatomical, and spiritual imagery, with layered symbolism and a painterly, chaotic texture.
A surreal acrylic painting on irregularly cut and layered wood panels. The right side features a large, exaggerated human face in shades of blue and yellow, with heavy-lidded eyes and a solemn expression. To the left, a whimsical scene unfolds: a white bus floats midair, a unicorn leaps upward, and a bird-like creature with muscular legs prances through a grassy landscape dotted with orange trees. Beneath the greenery, a section reveals tangled, abstract roots or circuitry in earthy reds and browns. The panels are bolted together, emphasizing the collage-like, fragmented construction.
A painted depiction of an old Los Angeles RTD bus, number 537, rendered on a roughly cut wooden panel. The bus exterior is detailed with its signature red and white stripes, but a jagged, irregular hole is burned or torn into the side, revealing an interior scene. Inside, a surreal one-eyed figure is seated, seemingly holding a fishing pole, with a dark, shadowy control panel behind them. The damaged metal edges are painted with bolts and scratches, and a bizarre, fish-like creature with a yellow fin and facial features emerges from the lower right portion of the bus, adding a surreal narrative layer.
A surreal acrylic painting on jagged, irregular wood panels with wing shapes extending from both sides. On the left, a serene, saint-like female figure with closed eyes and a red headdress is surrounded by clouds and wires, with a banner reading “Conspiración.” In the center is a stylized portrait of John Wilkes Booth, identifiable by his distinct mustache and hairstyle, depicted with a cartoonish body wearing a white shirt marked with Masonic symbols and “33°.” To the right, a large glass jar contains the submerged, distorted face of Abraham Lincoln, rendered in cool tones with a somber expression. Above Lincoln, a shadowy figure leans downward. The composition blends historical, political, and mystical elements into a single symbolic tableau.

BOOK ONE: “Joshua and the Mungoes” – Acrylic on Paper – Circa 2013

was it as in the dream?

Evilin Nivelia – Acrylic on wood panel – 2008

cruisin’ down the street in my UFO – Acrylic on wood panel – 2008